To finish a painting is the hardest part.
I am good at getting an idea.
I am good at sketching out the shapes and getting a great feel onto the paper.
Then I work on adjusting the colors & detail.
I am trying to finish "Boats Docked in Maine".
I am noticing a pattern.
It needs SOMETHING, but can't figure out what.
I like it and I don't want to ruin it. Artists, you know this sentiment!
I am at what I call the pushmepullyou stage, (word borrowed from Rudyard Kipling). I am adding color, taking away darks, emphasizing shadows, erasing mistakes. OK, sometimes I'm fudging.
Here's what I am seeing: The right side of the painting is compelling. It works. And I am trying to make the left side work in the same way, but there are no interesting shapes or colors in the photo to make that happen, so I am trying to invent them. It is not working. My strongest inclination is to crop the left side somewhere close to the mast. I can see that if I keep fudging, it is not going to work, and if I keep trying I will work the left side to death. Now why would I want to kill a nice work like this?
Time to crop, sign and start a new painting.
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